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I would say that my early years producing taught me how to sing, how to breathe and to experience every song wholeheartedly.

I feel at home on stage and the sensation to share my music is amazing. Today I feel more like an artist and embrace it all with more maturity. I must clarify that at first I was very shy and I suffered on stage. At the same time, the popularity my music gained and of course the chance to make a living with my music are the upside of the story. I am a very low profile person, so it felt strange to lose this aspect of my life. I did not like the idea of losing my individuality, my discretion. The reason why I delayed recording my own music was because I did not like the idea of fame. Later she introduced me to Caetano and we wrote another song. Making it happen felt like magic at the time. She was actually the first artist to sing my songs. Vanessa: In fact I had a dream about composing for Maria Bethania even before meeting her people. And while there were years of hard work before VanessaвЂ™s breakthrough in 1998, Vanessa is quick to recognise the importance of her formative years within that circuit. Vanessa Sigiane da Mata FerreiraвЂ™s musical repertoire is quintessential to the genre вЂ“ not because of her fascinating storyline and narrative or her musical genius вЂ“ but because she has achieved something few of her contemporaries have.Д«efore launching her solo Career, da Mata was composing for the legends: Caetano Veloso, Maria Bethania, Milton Nascimento and Chico Cesar, thereby bridging the gap between tropicГЎlia, the golden age of Brazilian music and contemporary music production. MГєsica popular brasileira (popular Brazilian music) is the modern hybrid of all Brazilian rhythms, made to please both the pop radio audience as well as to be enjoyed at late night, light-dimmed acoustic shows, surrounded by old and new friends, old and young, on the town square or by the beach, dancing and singing along to the old classics. There is a legacy as old as Brazil itself of people coming together in public spaces in celebration of that magical communion, whether they are playing samba or batucada or forrГі. Now few things define music in Brazil as much as the live music experience. ItвЂ™s also been released as a live album and DVD. The tour brings together new versions of her classics, songs such as вЂњVermelhoвЂќ and вЂњAiAiAiвЂќ, remade with electronic and bass arrangements. Now, after almost 20 years as a solo artist, she is taking her Caixinha de MГєsica tour to stages around the world. She has since travelled far and wide, adopting musical influences from all corners of Brazil and becoming one of the most distinguishable voices in contemporary Brazilian music. It was there that she grew up, leaving at 15 years of age. As her name suggests, Vanessa da Mata hails from deep Brazil (her name translates as вЂњVanessa from the forestвЂќ), from a fairytale-like tropical town called Alto GarГ§as in Mato Grosso. The source, everything else grows on itвЂќ.

вЂњI really believe that this is the origin. вЂњThe sounds of the Amazon are the base of my musicвЂќ, Vanessa da Mata explains to me.

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